The discussion is beginning already. Bring some of your questions to the events or add them here first.
Where is the public art?
Who is the main audience for your work?
Why do you choose to make work in public places?
How long does public art last?
What is temporary?
What is permanent?
Do you initiate work?
What haunts you that you haven't bought to reality yet?
Wednesday, 23 September 2009
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3 comments:
Why is it that local authorities appoint artists to integrate work into the built environment by asking them to liase with architects. But my experience is architects find these things time consuming, distracting, things to make the project run over its scheduling and over its budget. British building standards are often quoted as reasons for things being unachievable. Lets play safe with artworks added on at the end when the buildings are handed over to the client and pass all the planning and contractual issues onto the artists, when its too late to integrate artwork into the fabric of the building?
Or is it only me who has worked with unenthusiastic architects?
more questions as starting points:
Is public art naturally inclusive?
What is participation?
Where/What is public space?
Does public art have to leave a physical presence?
Who might we partner with?
Where does public meet private and vice versa?
If public art is an intervention in/on society, then does it worry you if the public then intervene back in the wrong way?
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